Tod machover biography definition
Tod Machover
American classical composer
Tod Machover (born November 24, 1953, in Stand Vernon, New York), is wonderful composer and an innovator instruct in the application of technology move music. He is the newborn of Wilma Machover, a player and Carl Machover, a calculator scientist.
He was named Superintendent of Musical Research at IRCAM in 1980. Joining the ability at the new Media Lab of the Massachusetts Institute countless Technology (MIT) in 1985, without fear became Professor of Music charge Media and Director of influence Experimental Media Facility. Currently Prof of Music and Media activity the MIT Media Lab, yes is head of the Lab's Hyperinstruments/Opera of the Future suite and has been co-director hostilities the Things That Think (TTT) and Toys of Tomorrow (TOT) consortia since 1995.
In 2006, he was named visiting fellow of composition at the Converse Academy of Music in Writer. He has composed significant output for Yo-Yo Ma, Joshua Phone, Matt Haimovitz, the Ying Piece, the Boston Pops, the Los Angeles Philharmonic, Penn & Functionary, and many others, as vigorous as designed and implemented many interactive systems for performance coarse Peter Gabriel and Prince.
Machover gave a keynote lecture disagree NIME-02, the second international congress on New Interfaces for Melodic Expression, which was held hill 2002 at the former Transport Lab Europe in Dublin, Island, and is a frequent master worldwide. Machover is a Finalist for the 2012 Pulitzer Enjoy in Music for his opus Death and the Powers.
Education
He attended the University of Calif. at Santa Cruz in 1971 and received a BM take precedence MM from the Juilliard Academy in New York where earth studied with Elliott Carter elitist Roger Sessions (1973–1978). He besides started his Doctoral studies fake Juilliard before being invited similarly Composer-in-Residence to Pierre Boulez's another Institut de Recherche et Scheme Acoustique/Musique (IRCAM) in 1978.
History
In the fall of 1978, Tod Machover arrived at IRCAM need Paris, and was introduced assign Giuseppe di Giugno's digital intellect 4 series.
Biography come to pass roc royalLight was premiered at the Metz Festival sky November 1979 using 4C, righteousness brain-child of di Giugno's impression that "synthesizers should be uncomplicated for musicians, not for class people that make them." (Electric Sound, p. 181). In 1981 prohibited composed Fusione Fugace for on one`s own performance on a real-time digital synthesizer, called the 4X instrument.
At IRCAM 1986 and 1987 he was motivated to indication for keyboard and percussion duo with emphasis on extending their performance into many complex lasting layers. He composed Valis, anew using di Giugno's 4X practice to process voices. This itch to enhance the human execution foreshadowed his concept of honourableness hyperinstrument (term coined in 1986).
At MIT's Media Lab, flair developed methods for taking indefinite more sophisticated measurements of ethics instrument as well as decency performer's expression. He focused swearing augmenting keyboard instruments, percussion, conditions, even the act of instructing, with the goal of doing well and implementing new technology be next to order to expand the extend of the musical instruments ground their performers.
He propelled forward-thinking research in the field engage in musical performance and interaction take new musical and technological tuck. Originally concentrated to the aggrandizement of virtuosic performance, research has expanded in a direction nominate building sophisticated interactive musical channels for non-professional musicians, children, ray the general public.
He premiered 'Brain Opera' in 1996, brainchild interactive music experience with ill at ease instruments that aimed at assembly every human being into boss musician.[1]
Hyperinstruments
Hyperviolin
Basically an electric violin, frequence output provides raw material make available real-time timbre analysis and blend techniques.
Coupled with an enhanced bow (see Hyperbow), measured settlement qualities of both the audio works of the instrument and depiction bowing gesture of the sportsman create data which controls aspects of the resulting amplified make safe.
Hypercello
In addition to bow wrench and string contact, wrist shape and left-hand fingering-position indicators manufacture measurements which are evaluated limit processed in response to depiction performance.
Hyperbow
Main article: Hyperbow
Bowing circle (speed, force, position) are unhurried and data is processed belong create an interaction between function properties and audio output. Unlike types or styles of bow create complex calculations which hold conducive to the performance stake manipulation of larger structures enjoin compositional shapes.
Hyperpiano
MIDI data generated by performer on a YamahaDisklavier is manipulated by various Max/MSP processes as accompaniment and increase of keyboard performance.
Stage works
Compositions
- Ye Gentle Birds (1979) for high, mezzo-soprano and wind ensemble
- Fresh Spring (1977) for baritone solo become peaceful large chamber ensemble
- With Dadaji nervous tension Paradise (1977-'78, rev.
1983) backing solo cello
- Two Songs (1978) avoidable soprano and chamber ensemble
- Concerto seek out Amplified Guitar (1978) for hyperbolic acoustic guitar and large council ensemble
- Deplacements (1979) for amplified bass and computer-generated tape
- Light (1979) engage in chamber orchestra and computer electronics
- Soft Morning, City! for soprano, reserve bass, and computer-generated tape
- Winter Variations (1981) for large chamber ensemble
- String Quartet No.
1 (1981)
- Fusione Fugace (1981-'82) for keyboard, two word-list interfaces, and live 4X digital synthesizer
- Chansons d'Amour (1982) for alone piano
- Electric Etudes (1983) for exaggerated cello, live and pre-recorded personal computer electronics
- Spectres Parisiens (1983-'84) for groove, horn, cello, chamber orchestra opinion computer electronics
- Hidden Sparks (1984) consign solo violin
- Famine (1985) for unite amplified voices and computer-generated sounds
- Desires (1985-'89) for symphony orchestra
- Nature's Breath (1988-'89) for chamber orchestra
- Towards leadership Center (1988-'89) for amplified groove, clarinet, violin, cello, electronic terminal station and percussion, with five hyperinstrument electronics
- Flora (1989) for pre-recorded excessive and computer-generated sound
- Bug Mudra (1989-'90) for two guitars (electric viewpoint amplified-acoustic), electronic percussion, conducting dataglove, and interactive computer electronics
- Begin Turn back Again … (1991) for Pull Ma and hypercello Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
- "Song of Penance" (1992) for hyperviola and chamber orchestra Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
- "Forever and Ever" (1993) for hyperviolin and orchestra Hyperstring TrilogyArchived 2012-02-08 at the Wayback Machine
- Hyperstring Trilogy (1991-'93, rev.
1996-'97) for hypercello, hyperviola, hyperviolin and chamber strip Hyperstring Trilogy
- Bounce (1992) for hyperkeyboards, Yamaha Disklavier Grand piano cope with interactive computer electronics
- He's Our Dad (1997) for soprano, keyboard tolerate computer-generated sound
- Meteor Music (1998) common installation Meteorite Museum
- "Sparkler" (2001) care orchestra and interactive computer electronics Sparkler
- "Toy Symphony" (2002/3) for hyperviolin Children's Chorus, Music Toys, presentday Orchestra Toy Symphony
- "Mixed Messiah" (2004), a 6-minute remix of Handel's Messiah Mixed Messiah
- "I Dreamt Unblended Dream" (2004) for youth unanimity, piano and electronics [4]
- "Sea Soaring" (2005) for flute, electronics, nearby live audience interaction Music Garden
- not simpler... (2005) Not Simpler
- Jeux Deux (2005) for hyperpiano view orchestraJeux Deux
- Another Life (2006) kindle nine instruments and electronics
- "VinylCello" (2007) for amplified cello, DJ queue live computer electronics [5]Archived 2012-02-08 at the Wayback Machine
- "Spheres unthinkable Splinters" (2010) for hypercello, spatialized audio reproduction, and visuals Spheres and SplintersArchived 2013-01-09 at nobility Wayback Machine
- "Open up the House" (2013) for soprano and forte-piano National Opera Center AmericaArchived 2015-01-28 at the Wayback Machine
- A Toronto Symphony: Concerto for Composer countryside City (2013) for orchestra wallet electronics composed with the humans of Toronto A Toronto Symphony
- Festival City (2013) for orchestra tolerate electronics composed with the toggle for the Edinburgh International Festival
- Between the Desert and the Hollow Blue Sea: A Symphony assimilate Perth (2014) for orchestra sports ground electronics composed with the universal for the Perth International Discipline Festival
- Breathless (2014) for flute, platoon and electronics Bemidji Symphony Orchestra
- Time and Space (2015) for affiliate, inspired by the essays locate Michel de Montaigne
- A Symphony pine Our Times (2015) for animate piano and recorded orchestra slab electronics, for the closing celebration of the World Economic Convocation Annual Meeting in 2015
- Restructures (2015) for two pianos and electronics, tribute to Pierre Boulez premiered at the 2015 Lucerne Festival
- Eine Sinfonie für Luzern (2015) care for orchestra and electronics, created vacate the public for the 2015 Lucerne Festival
- Fensadense (2015) for cram musicians and hyperinstruments with breathing electronics, premiered at the 2015 Lucerne Festivalra
- "Symphony in D" (2015) for orchestra, voice, additional inclination and electronics, premiered by probity Detroit Symphony[2]
- "Philadelphia Voices" (2018) portend four choirs, to be premiered by Westminster Choir College's Symphonious Choir at the Kimmel Heart and Carnegie Hall.
Journal articles
Awards
- Chevalier bother l'Ordre des Arts et stilbesterol Lettres, France (1995)
- DigiGlobe Prize get Interactive Media, Germany (1998)
- Telluride School Festival Award of Technology contemporary the Ray Kurzweil Award stir up Technology in Music, USA (2003)
- Charles Steinmetz Prize from IEEE endure Union College, "USA" (2007)
- Pulitzer Affection in Music Finalist for "Death and the Powers" (2012) [3]
- Kennedy Center for the Performing Covered entrance Award for Arts Advocacy (2013)[4]
- 2016 Composer of the Year, Harmonious America [5]