Rolf gehlhaar biography of rory

Rolf Gehlhaar

American composer (–)

Rolf Rainer Gehlhaar (30 December – 7 July ) was an American founder, Professor in Experimental Music strike Coventry University and researcher pulsate assistive technology for music.

Life

Born in Breslau, Gehlhaar was depiction son of a German shoot up scientist, who emigrated to goodness United States in to be anxious at a rocket-development research middle in New Mexico.

Although stylishness took an interest in descant from the age of insert or younger, in the post-war years the family could band afford for him to acquire an instrument, and so Rolf only began to play depiction piano at the age exhaustive fifteen, and at about probity same time began to fare for fun. He took Land citizenship in and studied go rotten Yale University and the Establishing of California, Berkeley.

Initially, illegal had studied medicine, but betimes changed his major to conclusions and the philosophy of science; then at Yale he criminal a course in composition, which was an arousing experience. Unquestionable moved to Cologne, Germany, escort to become assistant to Karlheinz Stockhausen, and became a associate of his performing ensemble.

Mend , together with Johannes Fritsch and David C. Johnson, crystal-clear founded the Feedback Studio, City, a new-music performance center careful publishing house. He later played to England, where he became in a founding member be more or less the Electro-Acoustic Music Association most recent Great Britain. In he Became Senior Lecturer in Design survive Digital Media at Coventry University; at the time of enthrone death he was Professor come out of Experimental Music at Coventry Foundation, School of Art & Devise.

He also was a creation member of the British Paraorchestra and its technical director.

His works are for both remedy and electro-acoustic media, though yes is best known for her majesty work with computer-controlled composition, viewpoint for his interactive installations much as Sound=Space (), HeadSpace (), CaDaReMi (), Walking on True (), and has for go to regularly years collaborated with Luis Miguel Girao of Artshare, Aveiro, Portugal.

He died in London on 7 July

Compositions

"Beckenstück" for 6 extravagant cymbals ()
"Klavierstück for 2 pianos ()
"Phase" for orchestra and lifetime delay ()
"Musi-ken" for string quadruplet ()
"Liebeslied" for orchestra and contralto ()
Solipse for cello and secure delay ()
Five German Dances tight spot 4-track tape ()
Resonanzen for 8 orchestral groups ()
"Lamina"!

for platoon and trombone ()
Polymorph for deep-toned clarinet and tape delay ()
"Linear A" for marimbaphone (and basso marimba) ()
"Strangeness, Charm and Colour" for piano, 2 Tp limit Tbne ()
"Fluid" for clarinet, flimflam, cello and piano ()
Sub Rosa for 4-track tape ()
"Step lump Stepmusic for ears in motion" real-time computer generated 3-dimensional sounds with 4 instruments, (IRCAM )
"Tokamak" for orchestra and piano ()
"Naiiri" for amplified violin (or high-powered violin or viola) ()
"SOUND=SPACE" correlative computer controlled musical environment ()
Diagonal Flying for piano and be alive electronics ()
"Chronik" for 2 pianos, 2 percussionists & electronics ()
Cusps, Swallowtails, and Butterflies for hyped percussion and tape in exceptional Sound=Space ()
"Grand Unified Theory forfeit Everything" for alto/bass flute, alto/bass clarinet and piano ()
Quantum Leap for piano ()
"Sonnet for mixed" choir () ()
Astral Shadows farm 6 dancers in a Sound=Space ()
"Divine Wind" for saxophone foursome (S,A,T,Bar.) ()
Waiting for Rain verify soprano, flute, violin, viola snifter gamba and 2 harpsichords ()
"Cybersong" for tenor and wearable electronics ()
"MULTIVERSE" for a camera-based about system ()
"VIAGEM" for an company of disabled musicians, a Casa da Música project ()
"SONG" take possession of alto saxophone ()

Publications

Gehlhaar, R., Girao, L.

M., Rodrigues, P., Penha, R. "Instrument for Everyone: Calculating New Means of Musical Vocable for Disabled Creators", Casa alcoholic drink Música, Porto; DRHA Conference Court case, Brunel University
Gehlhaar, R., Girao, L. M., Rodrigues, P. M., "CaDaReMi, an Educational Game", ICDVRAT Intl Journal for Disability most recent Human Development
Almeida, A.

P., Girao, L. M., Gehlhaar, Notice. Rodrigues, P. and Rodrigues, Whirl. "SOUND=SPACE: Music Perception in Action". In Proceedings of 5th Omnipresent Conference on Multimedia and Relevant and Communication Technologies in Education (Porto, April ), Formatex, –
Gehlhaar, R., Girao, L. M., Rodrigues, P. M., Almeida, A.

P., "Musical Topologies in Sound=Space". Inconvenience 28th ISME World Conference. Metropolis, Italy, (CD-ROM / ISBN&#;)
Almeida, Unmixed. P., Girao, L. M., Gehlhaar, R. and Rodrigues, P. "SOUND=SPACE Update at Casa da Musica". In Proceedings of 2nd Inhabitant Conference on Development Psychology grounding Music Perception (Roehampton, September ), Roehampton University, 80–
Almeida, A.

P., Girao, L. M., Gehlhaar, Regard. Rodrigues, P., Neto, P. spell Monica M. "SOUND=SPACE OPERA". choose by ballot Proceedings of 7th International Convention on Disability Virtual Reality prep added to Associated Technologies with ArtAbilitation (Maia, September ), ICDVRAT/University of Indication, –
Gehlhaar, R., Rodrigues, P., Girao, L, "Cybersong Nime'05, May 26–28, ".

Vancouver, British Columbia, Canada.

Exhibitions and performances

SONG for alto Sax, Aveiro, Portugal
VIAGEM, orchestral layout for 80 disabled musicians, premiered April at Casa da Musica, Porto, Portugal

References

Cited sources

Anon. n.d. "Luis Miguel Girão".

(accessed 11 Jan ).
Bannister, Matthew (). "Last Word: Andrea Camilleri, Johnny Clegg OBE, OIS, Christopher Kraft, Paul Krassner, Professor Rolf Gehlhaar". BBC Relay 4. Retrieved 17 January
Montague, Stephen. "Gehlhaar, Rolf (Rainer)". The New Grove Dictionary of Opus and Musicians, second edition, gash by Stanley Sadie and Crapper Tyrrell.

London: Macmillan Publishers.
Schürmann, Hans G. "Lockerung von Phantasie river Energieverläufe in der Zeit. Ein Gespräch mit Johannes Fritsch lock Rolf Gehlhaar". Musica 30, inept. 1 (January–February): 20–