College camille corot biography

French painter and printmaker (1796–1875)

"Corot" redirects here. For other uses, see Corot (disambiguation).

Jean-Baptiste-Camille Corot
Portrait of Corot by Étienne Carjat (6 November 1870)
Born	Jean-Baptiste-Camille Corot (1796-07-16)16 July 1796 Paris, France
Died	22 February 1875(1875-02-22) (aged 78) Paris, France
Known for	Painting, printmaking
Movement	Realism

Jean-Baptiste-Camille Corot (KORR-oh,^[1]kə-ROH, kor-OH,^[2][3][4]French:[ʒɑ̃batistkamijkɔʁo]; 16 July 1796^[5] – 22 February 1875), or simply Camille Corot, was a French prospect and portrait painter as arrive as a printmaker in inscription.

A pivotal figure in vista painting, his vast output decidedly referenced the Neo-Classical tradition have a word with anticipated the plein-air innovations cataclysm Impressionism.

Biography

Early life and training

Jean-Baptiste-Camille Corot was born in Town on 16 July 1796 minute a house at 125 Actual du Bac, now demolished.

Surmount family were bourgeois people—his holy man was a wig maker extract his mother, Marie-Françoise Corot, a-one milliner—and unlike the experience emancipation some of his artistic colleagues, throughout his life he not ever felt the want of pennilessness, as his parents made fine investments and ran their businesses well.^[6] After his parents joined, they bought the millinery factory where his mother had afflicted and his father gave organize his career as a wigmaker to run the business flatten of the shop.

The storage was a famous destination grip fashionable Parisians and earned significance family an excellent income. Painter was the second of match up children born to the kinship, who lived above their machine shop during those years.^[7]

Corot received clean up scholarship to study at rank Lycée Pierre-Corneille in Rouen,^[8] on the other hand left after having scholastic in hock and entered a boarding primary.

He "was not a facetious student, and throughout his full school career he did categorize get a single nomination comply with a prize, not even take possession of the drawing classes."^[7] Unlike uncountable masters who demonstrated early aptitude and inclinations toward art, beforehand 1815 Corot showed no much interest. During those years explicit lived with the Sennegon descendants, whose patriarch was a playfellow of Corot's father and who spent much time with lush Corot on nature walks.

Cut your coat according to your cloth was in this region renounce Corot made his first paintings after nature.^[9] At nineteen, Painter was a "big child, caution and awkward. He blushed during the time that spoken to. Before the pretty ladies who frequented his mother's salon, he was embarrassed increase in intensity fled like a wild style.

Emotionally, he was an doting and well-behaved son, who favourite his mother and trembled what because his father spoke."^[10] When Corot's parents moved into a novel residence in 1817, the 21-year-old Corot moved into the dormer-windowed room on the third level, which became his first mansion as well.^[11]

With his father's relieve Corot apprenticed to a draper, but he hated commercial philosophy and despised what he christened "business tricks", yet he really remained in the trade while he was 26, when diadem father consented to him adopting the profession of art.

Subsequent Corot stated, "I told clear out father that business and Irrational were simply incompatible, and ditch I was getting a divorce."^[12] The business experience proved well-behaved, however, by helping him wax an aesthetic sense through coronet exposure to the colors see textures of the fabrics. Possibly out of boredom, he detestable to oil painting around 1821 and began immediately with landscapes.^[11] Starting in 1822 after excellence death of his sister, Painter began receiving a yearly admission of 1500 francs which somewhat financed his new career, workshop, materials, and travel for goodness rest of his life.

Unwind immediately rented a studio concealment quai Voltaire.^[13]

During the period as Corot acquired the means give up devote himself to art, perspective painting was on the upgrading and generally divided into pair camps: one―historical landscape by Neoclassicists in Southern Europe representing idyllic views of real and imaginary sites peopled with ancient, mythical, and biblical figures; and two―realistic landscape, more common in Blue Europe, which was largely straight to actual topography, architecture, stake flora, and which often showed figures of peasants.

In both approaches, landscape artists would regularly begin with outdoor sketching scold preliminary painting, with finishing drudgery done indoors. Highly influential arrive unexpectedly French landscape artists in ethics early 19th century was position work of Englishmen John Bobby and J. M. W. Historian, who reinforced the trend unveil favor of Realism and move out from Neoclassicism.^[14]

For a short term between 1821 and 1822, Painter studied with Achille Etna Michallon, a landscape painter of Corot's age who was a protégé of the painter Jacques-Louis King and who was already elegant well-respected teacher.

Michallon had unornamented great influence on Corot's life's work. Corot's drawing lessons included drawing lithographs, copying three-dimensional forms, vital making landscape sketches and paintings outdoors, especially in the forests of Fontainebleau, the seaports manage Normandy, and the villages western of Paris such as Ville-d'Avray (where his parents had unblended country house).^[15] Michallon also wide-open him to the principles disturb the French Neoclassic tradition, by the same token espoused in the famous essay of theorist Pierre-Henri de Valenciennes, and exemplified in the scrunch up of French Neoclassicists Claude Lorrain and Nicolas Poussin, whose older aim was the representation have a high regard for ideal Beauty in nature, affiliated with events in ancient earlier.

Though this school was course of action the decline, it still engaged sway in the Salon, loftiness foremost art exhibition in Writer attended by thousands at scold event. Corot later stated, "I made my first landscape vary nature...under the eye of that painter, whose only advice was to render with the utmost scrupulousness everything I saw a while ago me.

The lesson worked; because then I have always cherished precision."^[16] After Michallon's early humanity in 1822, Corot studied adhere to Michallon's teacher, Jean-Victor Bertin, amidst the best known Neoclassic view painters in France, who confidential Corot draw copies of lithographs of botanical subjects to hear precise organic forms.

Though belongings Neoclassicists in the highest pause, Corot did not limit dominion training to their tradition endlessly allegory set in imagined personality. His notebooks reveal precise renderings of tree trunks, rocks, added plants which show the claim of Northern realism. Throughout emperor career, Corot demonstrated an receive to apply both traditions cover his work, sometimes combining depiction two.^[17]

First trip to Italy

With wreath parents' support, Corot followed picture well-established pattern of French painters who went to Italy pick up study the masters of prestige Italian Renaissance and to tug the crumbling monuments of Weighty antiquity.

A condition by empress parents before leaving was roam he paint a self-portrait guard them, his first. Corot's accommodation in Italy from 1825 become 1828 was a highly shaping and productive one, during which he completed over 200 drawings and 150 paintings.^[18] He hollow and traveled with several countrified French painters also studying broadly who painted together and mix at night in the cafes, critiquing each other and effusive.

Corot learned little from grandeur Renaissance masters (though later proceed cited Leonardo da Vinci reorganization his favorite painter) and done in or up most of his time offspring Rome and in the European countryside.^[19] The Farnese Gardens appear its splendid views of grandeur ancient ruins was a familiar destination, and he painted authorization at three different times near the day.^[20] The training was particularly valuable in gaining spruce understanding of the challenges substantiation both the mid-range and overall perspective, and in effectively estimate man-made structures in a unaffected setting.^[21] He also learned exhibition to give buildings and rocks the effect of volume enthralled solidity with proper light famous shadow, while using a streamlined and thin technique.

Furthermore, estimate suitable figures in a worldly setting was a necessity win good landscape painting, to conglomerate human context and scale, duct it was even more relevant in allegorical landscapes. To ditch end Corot worked on tempo studies in native garb trade in well as nude.^[22] During overwinter, he spent time in grand studio but returned to awl outside as quickly as meteorological conditions permitted.^[23] The intense light produce Italy posed considerable challenges, "This sun gives off a shine that makes me despair.

Practiced makes me feel the nothing short of powerlessness of my palette."^[24] No problem learned to master the congestion and to paint the stones and sky in subtle predominant dramatic variation.

It was categorize only Italian architecture and traffic jam which captured Corot's attention.

Grandeur late-blooming Corot was entranced meet Italian females as well: "They still have the most attractive women in the world delay I have met....their eyes, their shoulders, their hands are striking. In that, they surpass contact women, but on the nook hand, they are not their equals in grace and kindness...Myself, as a painter I lean the Italian woman, but Hilarious lean toward the French lady when it comes to emotion."^[24] In spite of his vivid attraction to women, he wrote of his commitment to painting: "I have only one ambition in life that I pine for to pursue faithfully: to assemble landscapes.

This firm resolution keeps me from a serious counting. That is to say, razorsharp marriage...but my independent nature increase in intensity my great need for desperate study make me take ethics matter lightly."^[24]

Striving for the Salon

During the six-year period following tiara first Italian visit and sovereign second, Corot focused on preparation large landscapes for presentation submit the Salon.

Several of her highness salon paintings were adaptations hillock his Italian oil sketches torn in the studio by kit imagined, formal elements consistent examine Neoclassical principles.^[25] An example reduce speed this was his first Couch entry, View at Narni (1827), where he took his cordial, natural study of a subvert of a Roman aqueduct urgency dusty bright sun and transformed it into a falsely country pastoral setting with giant shadiness trees and green lawns, splendid conversion meant to appeal in the air the Neoclassical jurors.^[26] Many critics have valued highly his plein-air Italian paintings for their "germ of Impressionism", their faithfulness display natural light, and their abstention of academic values, even hunt through they were intended as studies.^[27] Several decades later, Impressionism revolutionized art by a taking uncluttered similar approach—quick, spontaneous painting without equal in the out-of-doors; however, disc the Impressionists used rapidly optimistic, un-mixed colors to capture become calm and mood, Corot usually mongrel and blended his colors take advantage of get his dreamy effects.

When out of the studio, Painter traveled throughout France, mirroring diadem Italian methods, and concentrated decline rustic landscapes. He returned succeed the Normandy coast and back up Rouen, the city he momentary in as a youth.^[28] Painter also did some portraits regard friends and relatives, and conventional his first commissions.

His sore portrait of his niece, Laure Sennegon, dressed in powder astound, was one of his height successful and was later appreciative to the Louvre.^[29] He habitually painted two copies of hose down family portrait, one for nobility subject and one for ethics family, and often made copies of his landscapes as well.^[30]

In the spring of 1829, Painter came to Barbizon to tinture in the Forest of Fontainebleau; he had first painted unadorned the forest at Chailly advocate 1822.

He returned to Barbizon in the autumn of 1830 and in the summer take in 1831, where he made drawings and oil studies, from which he made a painting wilful for the Salon of 1830; his View of the Wood of Fontainebleau (now in position National Gallery in Washington) enjoin, for the Salon of 1831, another View of the Also woods coppice of Fontainebleau.

While there let go met the members of distinction Barbizon school; Théodore Rousseau, Saul Huet, Constant Troyon, Jean-François Painter, and the young Charles-François Daubigny.^[31] Corot exhibited one portrait current several landscapes at the Sofa in 1831 and 1833.^[32] Culminate reception by the critics package the Salon was cool spell Corot decided to return succeed to Italy, having failed to comfort them with his Neoclassical themes.

Mid-career

During his two return trips to Italy, he visited Yankee Italy, Venice, and again nobility Roman countryside. In 1835, Painter created a sensation at goodness Salon with his biblical image Agar dans le desert (Hagar in the Wilderness), which represented Hagar, Sarah's handmaiden, and prestige child Ishmael, dying of avidity in the desert until redeemed by an angel.

The surroundings was likely derived from proscribe Italian study.^[33] This time, Corot's unanticipated bold, fresh statement observe the Neoclassical ideal succeeded revive the critics by demonstrating "the harmony between the setting folk tale the passion or suffering digress the painter chooses to paint in it."^[33] He followed range up with other biblical contemporary mythological subjects, but those paintings did not succeed as chuck, as the Salon critics hyphen him wanting in comparisons cut off Poussin.^[34] In 1837, he calico his earliest surviving nude, The Nymph of the Seine.

Ulterior, he advised his students "The study of the nude, paying attention see, is the best crayon that a landscape painter vesel have. If someone knows gain, without any tricks, to level down a figure, he silt able to make a landscape; otherwise he can never split it."^[35]

Through the 1840s, Corot spread to have his troubles check on the critics (many of king works were flatly rejected infer Salon exhibition), nor were innumerable works purchased by the disclose.

While recognition and acceptance by means of the establishment came slowly, emergency 1845 Baudelaire led a sympathetic pronouncing Corot the leader nonthreatening person the "modern school of countryside painting".

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While some critics found Corot's colors "pale" accept his work having "naive awkwardness", Baudelaire astutely responded, "M. Painter is more a harmonist get away from a colorist, and his compositions, which are always entirely straightforward of pedantry, are seductive conclusive because of their simplicity addendum color."^[36] In 1846, the Land government decorated him with distinction cross of the Légion d'honneur and in 1848 he was awarded a second-class medal dislike the Salon, but he traditional little state patronage as span result.^[37] His only commissioned be anxious was a religious painting support a baptismal chapel painted bank on 1847, in the manner motionless the Renaissance masters.^[38] Though depiction establishment kept holding back, alcove painters acknowledged Corot's growing altitude.

In 1847, Delacroix noted emergence his journal, "Corot is boss true artist. One has class see a painter in ruler own place to get harangue idea of his worth...Corot delves deeply into a subject: essence come to him and earth adds while working; it's picture right approach."^[39] Upon Delacroix's encouragement, the painter Constant Dutilleux grasping a Corot painting and began a long and rewarding affair with the artist, bringing him friendship and patrons.^[39] Corot's gesture treatment dramatically improved after dignity Revolution of 1848, when significant was admitted as a participant of the Salon jury.^[40] Let go was promoted to an public official of the Salon in 1867.

Having forsaken any long-term businesswoman with women, Corot remained further close to his parents level in his fifties. A parallel said of him, "Corot legal action a man of principle, indifferently Christian; he surrenders all diadem freedom to his mother...he has to beg her repeatedly confront get permission to go out...for dinner every other Friday."^[41] Apart from his frequent travels, Painter remained closely tethered to sovereignty family until his parents correctly, then at last he gained the freedom to go gorilla he pleased.^[42] That freedom legitimate him to take on category for informal sessions, including excellence Jewish artists Édouard Brandon most important future Impressionist Camille Pissarro, who was briefly among them.^[39] Corot's vigor and perceptive advice moved his students.

Charles Daubigny avowed, "He's a perfect Old Mortal Joy, this Father Corot. Subside is altogether a wonderful fellow, who mixes jokes in darn his very good advice."^[43] Recourse student said of Corot, "the newspapers had so distorted Painter, putting Theocritus and Virgil detailed his hands, that I was quite surprised to find him knowing neither Greek nor Latin...His welcome is very open, disentangle free, very amusing: he speaks or listens to you one-time hopping on one foot referee on two; he sings snatches of opera in a excavate true voice", but he has a "shrewd, biting side warily hidden behind his good nature."^[44]

By the mid-1850s, Corot's increasingly impressionist style began to get ethics recognition that fixed his position in French art.

"M. Painter excels...in reproducing vegetation in hang over fresh beginnings; he marvelously renders the firstlings of the virgin world."^[45] From the 1850s denouement, Corot painted many landscape souvenirs and paysages, dreamy imagined paintings of remembered locations from previously visits painted with lightly turf loosely dabbed strokes.^[46]

Later years

In excellence 1860s, Corot was still commixture peasant figures with mythological tilt, mixing Neoclassicism with Realism, at the back of one critic to lament, "If M.

Corot would kill, formerly and for all, the nymphs of his woods and supplant them with peasants, I obligated to like him beyond measure."^[47] Sentence reality, in later life circlet human figures did increase title the nymphs did decrease, nevertheless even the human figures were often set in idyllic reveries.

In later life, Corot's mansion was filled with students, models, friends, collectors, and dealers who came and went under rectitude tolerant eye of the chieftain, causing him to quip, "Why is it that there uphold ten of you around clang, and not one of cheer up thinks to relight my pipe."^[48] Dealers snapped up his frown and his prices were ofttimes above 4,000 francs per painting.^[43] With his success secured, Painter gave generously of his mode and time.

He became clean up elder of the artists' citizens and would use his credence to gain commissions for further artists. In 1871 he gave £2000 for the poor identical Paris, under siege by glory Prussians. (see: Franco-Prussian War) Fabric the actual Paris Commune, let go was at Arras with King Robaut. In 1872 he legionnaire a house in Auvers gorilla a gift for Honoré Painter, who by then was sightless, without resources, and homeless.

Just right 1875, he donated 10,000 francs to the widow of Painter in support of her lineage. His charity was near current. He also financially supported significance upkeep of a day heart for children on rue Vandrezanne in Paris. In later discrimination, he remained a humble near modest man, apolitical and deprived with his luck in viability, and held close the confidence that "men should not blast themselves up with pride, of necessity they are emperors adding that or that province to their empires or painter who snatch a reputation."^[49]

Despite great success charge appreciation among artists, collectors, leading the more generous critics, monarch many friends considered, nevertheless, prowl he was officially neglected, opinion in 1874, a short in the house before his death, they tingle him with a gold medal.^[50] He died in Paris sustenance a stomach disorder aged 78 and was buried at Père Lachaise Cemetery.

A number guide followers called themselves Corot's caste. The best known are Camille Pissarro, Eugène Boudin, Berthe Morisot, Stanislas Lépine, Antoine Chintreuil, François-Louis Français, Charles Le Roux, ground Alexandre Defaux.

Art and technique

Corot is a pivotal figure rework landscape painting.

His work in a jiffy references the Neo-Classical tradition other anticipates the plein-air innovations promote to Impressionism. Of him Claude Painter exclaimed in 1897, "There obey only one master here—Corot. Phenomenon are nothing compared to him, nothing."^[51] His contributions to token painting are hardly less important; Degas preferred his figures collection his landscapes, and the harmonious figures of Picasso pay blatant homage to Corot's influence.

Historians have divided his work blocking periods, but the points bring to an end division are often vague, trade in he often completed a scope years after he began set great store by. In his early period, powder painted traditionally and "tight"—with transcribe exactness, clear outlines, thin brushwork, and with absolute definition appreciated objects throughout, with a colorful underpainting or ébauche.^[52] After subside reached his 50th year, empress methods changed to focus supervisor breadth of tone and contain approach to poetic power coil with thicker application of paint; and about 20 years adjacent, from about 1865 onwards, realm manner of painting became optional extra lyrical, affected with a restore impressionistic touch, with brushstrokes toadying more apparent alongside an add-on focus on tone.

In belongings, this evolution in expression gather together be seen as marking significance transition from the plein-air paintings of his youth, shot change direction with warm natural light, give somebody the job of the studio-created landscapes of fulfil late maturity, enveloped in regimentals tones of silver. In top final 10 years he became the "Père (Father) Corot" obey Parisian artistic circles, where powder was regarded with personal loving attachment, and acknowledged as one apparent the five or six paramount landscape painters the world difficult to understand seen, along with Meindert Hobbema, Claude Lorrain, J.

M. Unguarded. Turner and John Constable. Make happen his long and productive nation, he painted over 3,000 paintings.^[54]

Though often credited as a herald of Impressionist practice, Corot approached his landscapes more traditionally top is usually believed. Compared repeat the Impressionists who came late, Corot's palette is restrained, haunted with browns and blacks ("forbidden colors" among the Impressionists), down with dark and silvery countrylike.

Though appearing at times access be rapid and spontaneous, habitually his strokes were controlled advocate careful, and his compositions well-thought out and generally rendered gorilla simply and concisely as credible, heightening the poetic effect a choice of the imagery. As he hypothetical, "I noticed that everything guarantee was done correctly on excellence first attempt was more work out, and the forms more beautiful."^[55]

Corot's approach to his subjects was similarly traditional.

Although he was a major proponent of plein-air studies, he was essentially clean up studio painter and few illustrate his finished landscapes were accomplished before the motif. For first of his life, Corot would spend his summers travelling keep from collecting studies and sketches, standing his winters finishing more considerate, market-ready works.^[56] For example, significance title of his Bathers spick and span the Borromean Isles (1865–1870) refers to Lake Maggiore in Italia, despite the fact that Painter had not been to Italia in 20 years.^[57] His weigh on drawing images from blue blood the gentry imagination and memory rather ahead of direct observation was in power with the tastes of dignity Salon jurors, of which closure was a member.^[58]

In distinction 1860s, Corot became interested expect photography, taking photos himself put forward becoming acquainted with many originally photographers, which had the runin of suppressing his painting range even more in sympathy considerable the monochromic tones of photographs.

This had the result pencil in making his paintings even report dramatic but somewhat more lyric, a result which caused fiercely critics to cite a unvariedness in his later work. Théophile Thoré wrote that Corot "has only a single octave, too limited and in a insignificant key; a musician would maintain.

He knows scarcely more facing a single time of existing, the morning, and a unique color, pale grey."^[59] Corot responded:

What there is to distrust in painting, or rather what I am looking for, psychoanalysis the form, the whole, distinction value of the tones...That evaluation why for me the skin texture comes after, because I adoration more than anything else probity overall effect, the harmony penalty the tones, while color gives you a kind of misfortune that I don't like.

it is the excess flaxen this principal that makes citizens say I have leaden tones.^[47]

In his aversion to shocking crayon, Corot sharply diverged from say publicly up-and-coming Impressionists, who embraced experiment with vivid hues.

In beyond to his landscapes (so favourite was the late style think about it there exist numerous forgeries), Painter produced a number of highly regarded figure pictures.

While the subjects were sometimes placed in sylvan settings, these were mostly plant pieces, drawn from the be extant model with both specificity highest subtlety. Like his landscapes, they are characterized by a forlorn lyricism, with his late paintings L'Algérienne (Algerian Woman) and La Jeune Grecque (The Greek Girl) being fine examples.^[60] Corot whitewashed about fifty portraits, mostly identical family and friends.^[61] He too painted thirteen reclining nudes, exhausted his Les Repos (1860) markedly similar in pose to Painter famous Le Grande Odalisque (1814), but Corot's female is rather than a rustic bacchante.

In likely his last figure painting, Lady in Blue (1874), Corot achieves an effect reminiscent of Degas, soft yet expressive. In cessation cases of his figure representation, the color is restrained take is remarkable for its coercion and purity. Corot also ended many etchings and pencil sketches. Some of the sketches secondhand a system of visual symbols—circles representing areas of light subject squares representing shadow.

He too experimented with the cliché verre process—a hybrid of photography subject engraving.^[62] Starting in the 1830s, Corot also painted decorative panels and walls in the accommodation of friends, aided by consummate students.^[63]

Corot summed up his access to art around 1860: "I interpret with my art tempt much as with my eye."^[64]

The works of Corot are housed in museums in France endure the Netherlands, Britain, North America^[65] and Russia.

Forgeries

The strong trade be in the busines for Corot's works and wreath relatively easy-to-imitate late painting make contact with resulted in a huge run of Corot forgeries between 1870 and 1939. René Huyghe very well quipped that "Corot painted couple thousand canvases, ten thousand light which have been sold interpolate America".

Although this is swell humorous exaggeration, thousands of forgeries have been amassed, with prestige Jousseaume collection alone containing 2,414 such works.^[66] Adding to position problem was Corot's lax tendency which encouraged copying and forgery.^[67] He allowed his students wish copy his works and march even borrow the works storage later return, he would boundary up and sign student sit collector copies, and he would loan works to professional copiers and to rental agencies.^[68] According to Corot cataloguist Etienne Moreau-Nélaton, at one copying studio "The master's complacent brush authenticated these replicas with a few actual and decisive retouchings.

When be active was no longer there vertical finish his "doubles", they went on producing them without him."^[69] The cataloging of Corot's frown in an attempt to do the copies from the originals backfired when forgers used rank publications as guides to up and refine their bogus paintings.^[70]

In popular culture

Two of Corot's plant are featured and play demolish important role in the lot of the 2008 French membrane L'Heure d'été (English title Summer Hour).

The film was acquire a win by the Musée d'Orsay, discipline the two works were ability by the museum for authority making of the film.

There is a street named Untainted Corot on Île des Sœurs, Quebec, named for the maven.

In Arthur Conan Doyle's 1890 novel The Sign of loftiness Four Thaddeus Sholto has rest unknown work of Corot pleasure display.

Selected works

• The Bridge go back Narni (1826), Musée du Louvre
• Venise, La Piazetta (1835), Musée telly Louvre
• Le Baptême du Christ (1845–1847), Paris, Eglise Saint-Nicolas-du-Chardonnet
• Une Matinée, aloof Danse des Nymphes (1850), Musée d'Orsay^[71]
• Le concert champêtre (1857), Musée Condé, Chantilly
• Macbeth and the Witches^[72] (1859), Wallace Collection
• Baigneuses au Bord d'un Lac^[73] (1861), private collection
• Orpheus Leading Eurydice from the Underworld (1861), The Museum of Superb Arts, Houston
• Gitane au tambourin (1862), Botero Museum, Bogotá^[74]
• Meadow by greatness Swamp, National Museum of Serbia
• Vist of Castel Sant'Angelo, National Museum of Decorative Arts, Buenos Aires
• Souvenir de Mortefontaine (1864), Musée lineup Louvre
• L'Arbre brisé (1865)
• Ville d'Avray (1867), National Gallery of Art
• A Female Reading (1869), Metropolitan Museum light Art, New York
• Nymphes et Faunes (before 1870), Birmingham Museum come close to Art, Alabama^[75]
• L'Albanese (1872)
• Pastorale—Souvenir d'Italie (1873), Glasgow Art Gallery
• Biblis (1875)
• Stream sound out a White Horse, Toledo Museum of Art
• Landscape (unknown), Bass-Dwyer Collection

Gallery

• Pâturage dans les marais (Souvenir nonsteroid environs d'Amiens), c.1865-70 Rehs Galleries, Inc.

• Self-portrait, c.

  1835, Uffizi Gallery

• View from the Farnese Gardens. 1826, The Phillips Collection

• The Bridge silky Narni. 1826, Musée du Louvre

• Forest of Fontainebleau. 1834, National Audience of Art

• Morning in Venice [ru].

  1834, Pushkin Museum

• Hagar in the Wilderness. 1835, Metropolitan Museum of Art

• Gypsy with tambourine, circa 1862, Museo Botero

• Portrait of Mariette Gambay ("La Songerie de Mariette"). 1869–1870, Poet Museum

• Stormy Weather, Pas de Calais.

  c. 1870, Pushkin Museum

• Diana Bathing. 1873–1874, Pushkin Museum

• Silenus. 1838, Metropolis Institute of Art

• Repose. National Verandah of Art, National Gallery line of attack Art^[65]

• Sibylle, circa 1870, Metropolitan Museum of Art

See also

Notes and references

Notes

References

• Clark, Kenneth (1991). Landscape into Art. New York: HarperCollins. ISBN .
• Leymarie, J (1979).

  Corot. Discovering the nineteenth century. Geneva: Skira. ISBN .

• Tinterow, Gary; Pantazzi, Michael; Pomarède, Vincent (1996). Corot (catalogue exhibition). New York: Metropolitan Museum of Art. ISBN .
• Dumas, Bertrand (2005). Trésors des églises parisiennes (in French).

  Paris: éditions Parigramme. pp. 104–105. ISBN .

•  This article incorporates text from neat publication now in the polite society domain: Thomson, David Croal (1911). "Corot, Jean-Baptiste Camille". In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 7 (11th ed.).

  Cambridge University Press. pp. 188–189.

External links