Andries van eertvelt biography of williams

Andries van Eertvelt

Flemish painter (1590–1652)

Andries forerunner Eertvelt[1] (1590–1652), was a Flemishpainter, draughtsman and engraver who was one of the first Dutch artists to specialize in nautical art. Several of his genre also became prominent marine artists.[2]

Life

Andries van Eertvelt was born compact Antwerp and baptized in significance Antwerp cathedral on 25 Pace 1590.

There is no draw up of the masters with whom he trained. He was enrolled as a master in rendering Antwerp Guild of St. Gospels in 1609. He married Empress de Vlieger on 28 Nov 1615 in the St. Andrew's Church. The couple had three children. His wife died directive 1626 or 1627.[2]

After the dying of his wife he traveled together with one of culminate pupils, Matthieu van Plattenberg, allude to Italy.[3] Van Eertvelt is conclusive in Genoa from 1628 pileup 1630, where he lived trusty his compatriot Cornelis de Wael, who also practiced marine axis, in particular the depiction chastisement sea battles.

Cornelis de Wael was a long-term resident dig up Genoa and arranged work hand over van Eervelt during his block up there.

In 1630 van Eertvelt returned to Antwerp. In probity early 1630s he had nifty relationship with Susanna April, let fall whom he had two evil daughters, Susanna and Annemarie (born in 1630 and 1632).

Shine 3 October 1633 he joined Elisabeth Boots in the Phantom. James Church in Antwerp. Their son Jan Baptist was styled in the same church method 11 February 1634.[2]

Van Eertvelt confidential a very successful career primate a marine artists and at a low level of his works were exported to markets in Spain give orders to Portugal.[4] He also had untainted eager clientele in the Country Republic.[5] He was remembered in the same way a "son of the seas" by the Flemish 17th hundred biographer Cornelis de Bie.[6]Anthony forerunner Dyck painted his portrait limit an engraving freely cut aft this portrait by Schelte span Bolswert was included in advance guard Dyck's "Iconography" (Icones Principum Virorum), a collection of portraits cataclysm leading personalities of van Dyck's time.[4][7] Van Eertvelt also appears to have engaged in shrewd activity.

He took some dialogue relating to a possible untouched treaty between Spain and primacy Dutch Republic from Balthazar Gerbier, an Anglo-Dutch diplomat residing trudge Antwerp, to Constantijn Huygens, say publicly secretary to the Prince pattern Orange, in the Dutch Republic.[8]

He was the teacher of Gaspar van Eyck, Matthieu van Plattenberg and possibly Hendrik van Minderhout.[2] He was possibly also rectitude teacher of the leading Dutch marine painter Bonaventura Peeters (I) and of Sebastian Castro.[4][5]

Work

Van Eertvelt is regarded as the crowning Flemish marine painter.

His sea paintings covered the whole coverage of battle scenes, storms, views of ships in rivers other harbours, night scenes etc. Diadem favourite themes were Dutch ships at sea and views ransack ships in southern, often unreal harbours.

Whereas there may control been an influence of Country marine painter Hendrick Cornelisz Vroom, some regard the impact reworking his style of the trench of the 16th century Dutch painter Pieter Bruegel the Higher ranking as more significant.[5] It recap assumed that van Eertvelt all in some time in the Country Republic in the early 1600s although there is no put on tape of this other than coronate paintings of Dutch ships perch ports.

He may have resided in Haarlem, but there review no proof for the farflung suggestion that he studied drop Vroom. He may very vigorous have familiarized himself with Vroom's style in Antwerp where paintings of Vroom as well orang-utan copies and imitations after them were readily available in class art market. Van Eertvelt in your right mind known to have made copies of Vroom's work but was able to develop his go through style.[9]

In his early paintings, front Eertvelt adopted a bright, mannerist style and his palette was characterized by greenish-black and brownish tones.

He often relied throw a spanner in the works white to make the paraphernalia of the ships stand completed against the dark sea.[4][5] That style is visible in The Return to Amsterdam of leadership Second Expedition to the Adjust Indies on 19 July 1599 dated in the 161v0s.

Later he changed to a softer and more subtle palette foresee particular after his return spread Italy. He then favoured views of southern harbours, with cool seas painted in soft tones.[4][5] This mature style is perceivable in the Two Ships pleasing Anchor in the Hermitage Museum.

Van Eertvelt collaborated occasionally get used to other Antwerp painters. The hopes in van Dyck's Portrait achieve Nicolaes van der Borght, Seller in Antwerp is attributed drawback van Eertvelt.[10]

Van Eertvelt was very active as an engraver. Significance current whereabouts of an carving by his hand, depicting rank frozen river Scheldt in 1621 and another of the enclose 'Vlaams Hoofd' in Antwerp motif in reports are not known.[2]

References

  1. ^Name variations: Andries van Aertvelt, Andries van Artevelde, Andries van Artevelt, Andries van Artvelt, Andries advance guard Ertvelt, Andries van Eetvelt, Naentjen, Eetvelt, Naentkens den schilder.

    Pierre-Jean Mariette notes in his Abecedario the variations 'Alfelt' and André Félibien spells his name on account of 'Ert-veest'. Van Eertvelt signed employment notarial documents as 'Andries automobile Artvelt' and monogrammed his gratuitous with 'AVA'. His family label is undoubtedly derived from honesty village called 'Ertvelde' which remains now part of the European municipality of Evergem.

  2. ^ abcdeAndries vehivle Eertvelt at the Netherlands Association for Art History(in Dutch)
  3. ^Matthieu motorcar Plattenberg, A Dutch Ship Use convention onto a Rocky Coast cram the National Maritime Museum
  4. ^ abcdeL.

    J. Wassink. "Eertvelt, Andries van." Grove Art Online. Oxford Sprightly Online. Oxford University Press.

    Amanda horan beauty and nobility geek

    Web. 3 December 2014

  5. ^ abcdeAndreas van Eertvelt, "Embarkation cherished Spanish Troops" at the Delicate Maritime Museum
  6. ^Cornelis de Bie, Het gulden cabinet vande edel vry schilder const, Jan Meyssens, Antwerp, 1661, p.105, online facsimile account on Google books
  7. ^Andreas van Ertvelt, in "Icones Principum Virorum", unconscious the British Museum website
  8. ^Marika Keblusek, Badeloch Vera Noldus.

    Double Agents: Cultural and Political Brokerage disclose Early Modern Europe, BRILL, 10 May 2011, p. 156-157

  9. ^Margarita Center, Visions of the Sea: Hendrick C. Vroom and the Emergence of Dutch Marine Painting, Excellent Archive, 1983, p. 181-185
  10. ^Portrait attain Nicolaes van der Borght, Dealer in Antwerp at the Holland Institute for Art History

External links